Nazan Öncel Revealed the Real Reason Behind Her Falling Out With Sezen Aksu!
The recent falling out between Nazan Öncel and Sezen Aksu, two colossal figures in Turkish music, has become one of the most talked-about events in the entertainment world. The unexpected rift between these two master artists, who have long been hailed for their friendship, shared meals together, and frequently expressed their admiration for each other's songs, has left everyone in shock. The alleged backstage conflicts during the highly anticipated duet 'Men Burn Too' and the harsh words that followed on the Harbiye stage had hit the headlines like a bombshell. In the wake of the much-discussed incident, Nazan Öncel broke her silence, expressing both her hurt and regret in an emotional statement.
The recent fallout between Nazan Öncel and Sezen Aksu, two living legends of Turkish music, has escalated into one of the most sensational entertainment news stories of late.
The brink of rupture in the friendship of the duo, renowned for their mutual love and respect for years and considered among the most powerful female lyricists of their era, has indeed sent shockwaves through the music world.
On one hand, there's Nazan Öncel, who, with her rebellious spirit, sharp tongue, and attitude, has carved out her own niche for years. On the other, there's Sezen Aksu, who has touched the lives of millions with her songs, earning her the title of 'Little Sparrow'. Both artists have not only left their mark on the history of Turkish pop music with their songs over the years, but also with their powerful lyrics, iconic songs, and their influence on female artists. Although there were occasional whispers of a 'silent competition' between them, they had never faced a major public crisis until that incident in 2026...
The project that fans had been dreaming of for years finally came to fruition in April 2026. The collaboration of the duo on the song "Erkekler de Yanar", with lyrics and music by Nazan Öncel, had sparked a great deal of excitement on social media.
Many had interpreted this meeting as a 'duet to go down in the history of Turkish music.' However, behind the scenes, things did not progress as they seemed.
According to a statement made by Nazan Öncel's manager, Yağız Yılmaz, serious crises were experienced during the studio process. Allegedly, Sezen Aksu's side occasionally slowed down the process by saying 'I don't have permission,' and even made threats to 'stop the song.' It was also claimed that this was not the end of it; attitudes that would upset Nazan Öncel were allegedly displayed in front of the technical team working in the studio. Despite all the promotions being made in advance, it was claimed that Nazan Öncel had to release the project due to the circumstances.
The real bombshell, however, exploded at the Harbiye Cemil Topuzlu Open Air concert. During her speech on stage, Nazan Öncel made a reference to Kanlıca, the neighborhood where Sezen Aksu lives, and used the following words:
'We've come to understand that friendships are also lies, fake in this era. We've seen Kanlıca. People should either appear as they are, or be as they appear.'
This revelation quickly became the talk of the town on social media, virtually splitting the world of entertainment in two.
While some argue that Nazan Öncel vented years of bitterness on stage, others believe her words were too harsh. Particularly, the support messages shared by figures such as Demet Akalın and Yeşim Salkım for Sezen Aksu drew attention. İzzet Çapa, on the other hand, accused Nazan Öncel of 'ingratitude'.
Following the backlash, Nazan Öncel took a step back, making a more emotional statement on her social media account. The artist, who stated that being easily discarded by a loved one broke her heart, expressed 'When one is discarded by a loved one, they take it to heart'. She also indicated her desire to close the subject by saying 'Forgive us for upsetting those who love us' in reference to the controversy.
'We are human, not perfect.
Yes, the duet process was problematic, but such things are not for such sensitive hearts. When one is discarded by a loved one, when their heart is broken, they take it to heart. I, who have not been chasing the agenda for 40 years, am additionally upset for having to say this. Therefore, it seems I couldn't hold this sadness inside any longer. We are human, not perfect. As artists who have devoted a lifetime to art, I would rather music be discussed instead of bringing up such things. Forgive us for upsetting those who love us and for occupying them with this matter.'
Throughout this process, the silence of Sezen Aksu's side did not go unnoticed. Whether these two master artists, who have been exemplified with their friendship for years, will come together again is already a matter of curiosity.
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